Sunday, June 19, 2011

geograph



i look for words which might elucidate
among my poet friends, their books.
i dogear pages, sit in scattered
mulch of aphorisms and a confetti
of autumnal ennui.  i find nothing.


*


here he is.
he is on a mountain.
a road enters a forest, as sure and wet
as any metaphor.  in the deep forest
in the night in the
absence of the moon
he cannot see a hand in front of his face.
he must walk with one foot
on the road, one off.
when he sees the sky, the broad ribbon of stars
which might be a road he knows
is not a road.  forest and night collide
like metal.
flesh tears.  bones break.   the stars are
a lapful of worthless diamonds
and a new red cartography of damage
is already drying on his face.

is there such a thing as direction?
a bare tree is also a symbol for ‘river’.
its roots are a delta emptying
into a sea of earth.

in any landscape, scars only remain
scars for so long
before
the habit of long association makes friends of them.

light does not create vision.


*


i have built
i have built
i have built all kinds of structures.  some
for living in, others for viewing
from a distance.   furniture too, and other
accoutrements such as picture frames
and the things within them.   i have etched
haematograms on parchment eyelids:
a kind of invisible ink
to be read
when i lie on my back,  face to the sun.
this is the best position for remembering
and forgetting.  insects will
enter my ears.  mechanical,  electric,
on needle legs, their amplified desires will
become the inner groove of meaning and intent:
a comfort of irritation.
i will let the grass grow under me.


*


he has torn
down
everything.

he has torn down
houses, cities, whole civilisations of memory
just so he could fossick
broken-nailed in the rubble
for a perfect stone.  he has combed coastlines
and learned to read from sand
the deconstructed histories of continents
mountains, alluvial plains,
petrified forests
bones.

he has torn down his present
and his future.


*


i say
there are two of me.  each insists
i prefer the other.  he is more...
...synthetic.
we bump shoulders.  snigger
at our cleverness.  share make-up, raid
each other’s wardrobes.
play the twin’s game of
open-faced
wide-eyed deceit.
we fool no one.  we are too alike.


*


again:

he was in a forest.
he was inappropriate
in dress and manner.  his pith helmet
blocked his view of the canopy
until he left it wedged in roots
to gather water, moss,
the brief appreciation of generations
of the chitinous and carapaced
and the fiercely insectivorous thanks of amphibians.
his creased clothing became rags.
he filled the pockets with reminiscences
and stuffed them into crevices.
buttoned a frayed and lonely cuff around a python’s neck.
one day, forgot his boots.  left them speechless,
tongues hanging out to catch the rain.
discovered
when there are no clothes,
there is no nakedness.

he stopped collecting everything but light
and as for naming?  named nothing.  forgot
his own.  his hair grew.
sometimes he would see glowing
some brief cruel inflorescence of desire
with its attendant nectar-sippers.
he would stare until the perfect colours
ceased to hurt his eyes.

sometimes he was a river.
sometimes he was a leaf.  a tooth.  a snail.
once, he tripped over a knapsack full  of
things he had no memory of forgetting.
once, he spoke
then ran from the sound in fear and shock.


*


there was a period when i stayed silent
for some weeks.  I was alone.  it was
an experiment.  i was alone.
time
became

seamless.  it was a meditation.
for day upon day upon day things
only entered my mouth.  nothing
left it.  i did not write.  i breathed only
through my nose. I was alone.
i was in love
with a new
virtue.  i was a monk.
a tree.  a lake.  i was

made to speak.  i remember
profound grief in that moment.
naked again, bereft, i re-entered the world.


*


they were saying goodnight.
they walked towards her door.

she was behind him in the hall.  he reached back,
took her hands
and laced them on his belly, covered them
with his.  their steps slowed.
they were one clumsy creature.   he could feel
her breasts,
cool against his back.  her hips,
and her mound
a small fire.  the serpent’s tail.

he did not try to turn.  she did not try to turn him.
they reached the door.  the night air was chill.


*


there are times when,
seeking relief from symptoms,
i cram my mouth with so much sugar
that my tongue swells.  rivers
of it burn my throat until the sweetness
becomes the taste of blood.  awareness
at once dilates
and dwindles.  is this lust?
there are pills i do not take.

in the mirror, i notice how grey i have become.
in the bed, i cup my cock and balls in my hand.
in the dark, i hear the bright chirp of my phone.

i do not pick it up.


*


he would be a philosopher, if he could.
he would note in the iterations
of water and sand, the arcs of birds and fish,
the circles we must all complete.
he would use our small spheres,
the orbits we trace,
to map with algebraic certainty
the pinwheel motion of our galaxies:
in the ancient light of stars,
the nebulae of our births
the infinitely massive singularities
of our deaths.  he would say
i have never seen in a bottle
anything that i have not seen
in a twist of smoke.  i have never seen
in a twist of smoke anything
that i have not seen
in a needle,  i have never seen
in a needle anything
that i have not seen in some other's face,
or in mine.
he would say
i have never seen anything.

he would say
i have given birth.  here is my child.
my mirror.

he would say
when we meet,
parts of us speak.  parts of us
are audience.  parts of us reach out.
parts of us remain hidden.  parts
of us touch.
we eat and drink of each other
and are nourished.

all will be well.







.

7 comments:

  1. reeling from the reading
    heafty

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  2. I was just wondering the other day where you were. Now I see. These are all fantastic.

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  3. time to put a manuscript together, brilliant man.

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  4. I second Dale's comment.

    The scale of this landscape overwhelms and i seek refuge on the second, third, fourth readings in the minutiae of your fingerprints throughout..

    x

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  5. this is really something Bruce... thinking of entering this in any prizes? it has real weight; overwhelming in the most joyous sense of the word!

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  6. What I love about this:

    First, you begin by laying bare what you're up to, in a way. You are writing for your poet friends, trying to make sense of the lay of your land for them. You come up empty.
    But, not completely, because you do have something to say, and you bare yourself and examine yourself, your writing, your motives, from different angles. It's very revealing and daring and honest. I liked that you were brave enough to tell "us" that you cup your cock and balls in your hands and don't pick up the phone when it chirps. FU world, OK? You are complete in your aloneness and also scared. So very human and vulnerable.
    And then, as a philosopher, and you sum it up with what you have never seen that wasn't part or in something else with "all will be well." There is no greater hymn. Amen.

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